FAUX-RACCORD
This research concerns the potentialities of the scenic transposition of jump-cut, resulting from the practice of film editing.
Our goal is to dismantle the continuum of action, space and time on stage as the jump-cut does in film, and to understand whether this approach makes sense when it comes to staging a performative form.
These protocols will be formalized and archived, with different forms of sharing: colloquium, articles and teaching.
Concept and direction: Clémentine Colpin and Nina Negri
Dramaturgy: Manon Krütlli
In partnership with: the research and development pole of the Haute école des arts de la scène de Suisse Romande - la Manufacture of Lausanne and the film department of the Haute école d’art et de design - HEAD of Geneva
>> http://www.manufacture.ch/fr/4404/Montage
Our goal is to dismantle the continuum of action, space and time on stage as the jump-cut does in film, and to understand whether this approach makes sense when it comes to staging a performative form.
These protocols will be formalized and archived, with different forms of sharing: colloquium, articles and teaching.
Concept and direction: Clémentine Colpin and Nina Negri
Dramaturgy: Manon Krütlli
In partnership with: the research and development pole of the Haute école des arts de la scène de Suisse Romande - la Manufacture of Lausanne and the film department of the Haute école d’art et de design - HEAD of Geneva
>> http://www.manufacture.ch/fr/4404/Montage